![]() ![]() ![]() “Lecturer’s Choice: Fifteen Minute Gallery Talks for Summer,” Bulletin of the Art Institute of Chicago 67, no.“Summer Gallery Talks,” Calendar of the Art Institute of Chicago 65, no.Henri Dorra, The American Muse (Viking Press, 1961), 124, ill.“People and Events: Portraits on Television,” The Art Institute of Chicago Quarterly 50, no.Louchheim, “A New Yorker Visits the Art Institute,” The Art Institute of Chicago Quarterly 46, no. Wight, Milestones of American Painting in Our Century, introduction by Lloyd Goodrich (Boston: The Institute of Contemporary Art with Chanticleer Press, New York, 1949), 30, 74, ill. Anita Brenner, “Is There An American Art?,” The New York Times Magazine (November 23, 1941), ill.Sweet, “Half a Century of American Art,” Bulletin of the Art Institute of Chicago 33, no. “Loans to Other Museums and Institutions,” Bulletin of the Art Institute of Chicago: Report for the Year 1935 30, no.“Loans to Other Museums and Institutions,” Bulletin of the Art Institute of Chicago: Report for the Year 1934 29, no. ![]() “Loans to Other Museums and Institutions,” Bulletin of the Art Institute of Chicago: Report for the Year 1933 28, no.“Loans to Other Museums and Institutions,” Bulletin of the Art Institute of Chicago: Report for the Year 1931, 26 no.Bulletin of the Art Institute of Chicago 25, no.“Prize Awards in the Annual American Exhibition,” Bulletin of the Art Institute of Chicago 24, no.Status On View, Gallery 263 Department Arts of the Americas Artist Grant Wood Title American Gothic Place United States (Artist's nationality) Date 1930 Medium Oil on Beaver Board Inscriptions Signed and dated lower right on overalls: GRANT / WOOD / 1930 Dimensions 78 × 65.3 cm (30 3/4 × 25 3/4 in.) Credit Line Friends of American Art Collection Reference Number 1930.934 Extended information about this artwork Yet Wood intended it to convey a positive image of rural American values, offering a vision of reassurance at the beginning of the Great Depression. Many understood the work to be a satirical comment on midwesterners out of step with a modernizing world. When it was exhibited at the Art Institute in 1930, the painting became an instant sensation, its ambiguity prompting viewers to speculate about the figures and their story. Wood had seen a similar farmhouse during a visit to Eldon, Iowa. In American Gothic, Grant Wood directly evoked images of an earlier generation by featuring a farmer and his daughter posed stiffly and dressed as if they were, as the artist put it, “tintypes from my old family album.” They stand outside of their home, built in an 1880s style known as Carpenter Gothic. ![]()
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